Selected work
Editorial, character work and packaging art, drawn by hand to fit wherever it ends up.
One method, many styles.
Most commissions arrive with a reference already attached — a mood, a direction the client has in mind. We treat that as the jumping-off point, not the finish line. Which is why the work ranges so widely: a hand-cut collage one week, a flat vector loop the next, hand-drawn textured portraits, obsessive studies, or maps with more detail than strictly necessary.
What holds it together isn't a signature style — it's what we do with the brief. The task is to take the reference, push past it, and hand back something more magnificent than anyone expected. Different medium every time, same intent: your idea, visualised.
Illustration made to run with words — commissions for articles, features and covers, where the picture has to land the idea fast and give a reader a reason to slow down. Concept-led, deadline-driven, and always with a point of view.
Giving something a face, a name and a bit of attitude. Developed from rough sketch to full cast — expressive, consistent, and hard to forget.
Where we get our hands dirty. Painted portraits, patterns and illustrations with real texture and mark — the kind of thing worth seeing up close.
The drawer marked "other". One-offs, experiments and happy accidents that never fit a category but were too good to leave out.
