All good things come to those who wait.
↓ Case Study
Making the complex beautifully simple
I have worked with The Guardian since 2021, originally providing design and animation support to their Media team as they produced six short films to expand on recent Guardian exclusives (of which 'Fukushima', 'Tax havens' and 'Weather apps' are featured below).
Following this I was commissioned for a variety of design tasks in various departments: reviewing the Guardian YouTube channel graphics, designing layouts and infographics for social media, implementing Google Web Stories and perhaps most notably, providing animation and motion graphic assets for Guardian Australia's 2022 General Election coverage.
At this point, I was then introduced to the (Oscar and Bafta-winning) 'Special Projects' team and since then my main contribution has been providing art direction and animations for their film and documentary output.
| Client | The Guardian |
| Year | 2026 — |
| Role | Art Director / Animation |
Please note: When I edit these showreel examples I obviously highlight my own art direction, animation and motion design contributions but that certainly doesn't mean that I am entirely responsible for every visual shown. I have been fortunate to collaborate with many exceptionally talented colleagues — those that I can recall at the time of writing are listed below:
| Colleagues |
|---|
| Laurence Topham — Director/Producer |
| Ekaterina Ochagavia — Director/Producer |
| Ali Assaf — Editor |
| Josh Toussaint-Straus — Presenter/Producer |
| Luke Harding — Correspondent |
| David Levene — Cinematography |
| Graham Hadfield — Composer |
| Anna Isaac — Reporter |
| Alex Lawson — Reporter |
Andrew brings hard work, creative energy and skill to deliver really beautiful and compelling films
Nigel Farage x Cameo — The Guardian
A Guardian investigation revealed that Nigel Farage's paid-for Cameo videos had been used to voice support for a neo-Nazi event and repeat far-right slogans — a story that ran straight to the top of the news agenda. Warwicka made the lead motion-graphics film that carried it: the piece built to turn a dense, fast-moving exposé into something clear, watchable, and hard to look away from.
The brief was pace and clarity under pressure. Working from the reporting, the footage and the data, Warwicka art-directed and animated the whole thing end to end — cutting the Cameo clips, broadcast news and YouGov polling into a single driving sequence, and setting the typography and motion graphics so the evidence leads and the viewer never loses the thread. Built in Illustrator, Photoshop and After Effects, and designed to hold up on the Guardian's site and across social.
| Project | Nigel Farage x Cameo — The Guardian |
| Date | March 2026 |
| External | Revealed: Nigel Farage Cameo videos show support for neo-Nazi event and far-right slogans |
Manosphere — The Guardian
I supported The Guardian’s interactive “Money, muscles and anxiety: why the manosphere clicked with young men - a visual deep dive” as motion design/animation advisor and editor.
I shaped the motion language and pacing, advised on transitions and type-in-motion, edited the interview sequences, and carried out lots of rotoscoping to integrate the contributors seamlessly within the graphic environment.
| Project | Manosphere — The Guardian |
| Date | October 2025 |
| External | Money, muscles and anxiety, The Guardian |
Cyber attack — The Guardian
Cyber attack — The Guardian
| Project | Cyber attack — The Guardian |
| Date | September 2023 |
Save the Planet — The Guardian
"In a crucial year for the climate, award-winning Guardian environment editor Fiona Harvey reflects on 30 years of Cops and meets the politicians, activists and scientists asking who is responsible for saving the planet. In November last year, the world’s gaze focused on Glasgow at Cop26 as 'a historic, collective achievement' was forged between 200 countries – the Glasgow climate pact. Since then, unprecedented global events have threatened this commitment to limiting climate destruction, and the hopes of 'keeping 1.5 alive' have been dashed. We follow Fiona as she prepares for Cop27 in Egypt, asking presidents, global leaders, activists and scientists if global diplomacy is enough to save humanity from the brink of annihilation"
Watch documentary on The Guardian
| Project | Save the Planet — The Guardian |
| Date | November 2022 |
Ukraine Russia — The Guardian
Motion graphics for The Guardian special projects department.
| Project | Ukraine Russia — The Guardian |
| Date | August 2022 |
Guardian Sport — Instagram
Guardian Sport Instagram redesign.
| Project | Guardian Sport — Instagram |
| Date | April 2022 |
Weather Apps — The Guardian
Forecasting is more accurate than ever, but mobile apps can still disagree wildly. What causes the difference – and which one is best?
| Project | Weather Apps — The Guardian |
| Date | November 2021 |
Tax Havens — The Guardian
Tax Havens film for The Guardian.
| Project | Tax Havens — The Guardian |
| Date | October 2021 |
Guardian Investigations
Motion graphics for Guardian Investigations promotional film.
| Project | Guardian Investigations |
| Date | October 2021 |
Fukushima — The Guardian
Illustrations for Fukashima film for The Guardian.
| Project | Fukushima — The Guardian |
| Date | September 2021 |
Shipping — The Guardian
Motion graphics design for Guardian's 'Mega ships cause mega problems'.
| Project | Shipping — The Guardian |
| Date | August 2021 |
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